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Our Interview With Paul Daley

Though a relative newcomer to the golf writing profession, Paul Daley is well placed to offer his insights to Golf Travel Information readers. A thoughtful and refreshingly original golf writer, historian and publisher, Daley joined his current profession in a decidedly different fashion. After eighteen years in the pharmaceutical industry, interrupted by intermittent attempts to raise a once two-handicap game to competitive levels, Daley realized his passion for the non-playing aspects of the game required his full attention. He shelved idle thoughts towards preparing for the Senior Tour, opting to pursue a writing career primarily on course design and golf history. He admits, "I have always been too smitten by golf in the strictest ‘amateur’ sense to ever fully bear down, and was never blessed with an ability to grind it out. So I decided to full-fill my golfing potential elsewhere."

After years of delivering lectures on golf history, which may yet result in a book profiling the games greats, Daley has chosen to focus on course design and architecture. Though not a designer himself, he has “long been fascinated by the nuances of golf architecture. I adopt the mind of an architect; asking myself, why place a bunker on the outside of the dogleg, and not the inside? Does the fairway need to be so gun-barrel tight? How can holes be made more interesting, challenging, yet remain playable for all? Such internal dialogue does little for your score!” Highlighting the symbiotic relationship between design and writing, he points out "some course designers are gifted writer’s, guys like Donald Steel, Tom Doak, Jeff Mingay, Michael Clayton, who also share a common trait; collecting and devouring golf literature."   

Paul Daley's first book, Links Golf: The Inside Story (2000), was a natural choice, given his predilection for golf history and a feel for, as Daley says, "the cerebral challenge, the chessboard mentality of course design." More recently, along with renowned golf course photographer David Scaletti, Paul produced a terrific book on the unique history and design characteristics of a geographic jewel, writing and publishing The Sandbelt: Melbourne's Golfing Heaven (2001). Daley's excitement further builds as he discusses his forthcoming project, a collection of 42 essays and analyses of course design by many of the most notable names in the field, titled Golf Architecture: A Worldwide Perspective - vol one (2002). Being released this November, Daley revels in the “heated passions and cool thoughts by the contributors, coming as they do, from fifteen countries. Pleasingly, there is no shortage of esoteric, spicy, or controversial material which may even shake-up your own course design philosophy.” There are many highlights within the book, but Daley proudly touts the inclusion of an analysis of the all but forgotten Reverse Old Course at St. Andrews.

Given his obvious devotion to golf course design and deep respect for traditional golfing values, what does Paul Daley make of modern architecture and its contemporary practitioners?  He immediately questions the trend towards lengthy courses, a tool used reflexively by designers "to combat technology and the physical and mental development of professionals. The reluctance, or inability, of designers to conceive layouts that are suitable for all players, which is perhaps a result of successful bullying by the equipment lobby", is a concern to Daley.  He adds, "I detest monster par threes.  Just when does shotmaking end and bludgeoning begin?  215, 220, 230 yards?"  His comments are prescient, given the scorn heaped by a number of observers upon the changes made to 'Tiger-proof' Augusta. While Daley readily admits that as a golf enthusiast he would love to play Augusta he feels, "as an analyst there are vulgar characteristics that seem light years removed from the game’s origins, especially the emphasis on course presentation." Daley also harbours reservations about the course changes. He ponders: “will the gambling on approach shots; back nine charges; and the drama—elements that set the US Masters apart—become a thing of the past?”  

He is quick to offer his appraisal of traditional masters and talented contemporary designers. Citing Mackenzie, who Daley nominates as surely the best of all time, plus Ross, Colt, Tillinghast, and Simpson as the foremost practitioners of course design, Daley eagerly opines that, "great courses such as Royal Melbourne West, Shinnecock Hills, Cypress Point, and Royal Portrush stand out for their seamless design, where the configuration of holes rarely appears forced or contrived. The sequence of holes flow in a manner that may prompt the uninitiated to assume that little thought has taken place; yet in reality, the exact opposite has occurred." 

When asked to name the current designers he admires, Daley suggested “There are many, but added, part of the reality check is to decipher between the hype and the truth. Some in the business ‘talk a fine game’ but does this always translate to a solid course design? Often not! Also, I do not subscribe to the theory that an exhaustive work output is indicative of quality!” Indeed, he is struck by the fact that “architects who focus upon building 1-3 course per year enjoy a natural advantage by making each project count, and create an impressive portfolio in the process. It also points to the architect being interested in spending more time in the field, where it really counts. Names that instantly come to mind in this regard are Tom Doak, Bill Coore, Ben Crenshaw, Gil Hanse, and Mark Parsinen. One name to earmark is Michael Clayton, an ex-European and Australian tour player, who continues to build an impressive portfolio of renovation work around his home state of Victoria. His team was commissioned to bring Victoria Golf Club up to scratch for the upcoming 2002 Australian Open, and the firm succeeded due to its tasteful restorative bunker work, allied to minor empathetic course changes. Clayton has recently completed his first solo project at Ranfurlie Links.” Daley enthused, “the industry may well be in the midst of a new Golden Age of course design, where architects are incorporating proven Golden Age principles, but also learning from, and repudiating the costly lessons of the past. Golf architecture is still evolving, and one only has to examine the audaciously creative work of Mike Strantz to appreciate that!”   

When pressed to nominate his favourite contemporary architect, Daley cited Tom Doak, saying “career wise, Doak has covered all bases: a study tour of the great British links; training at Cornell; an apprenticeship with Pete Dye; and experience playing most of the world’s leading courses. Along with developer Mike Keiser, Doak’s achievement of having Pacific Dunes debut at No. 26 on the world rankings was stunning. No doubt, Doak also took to heart the old dictum: publish or perish, for he has been prolific in this regard!”  

The anointing of Alister Mackenzie and Tom Doak as, respectively, the greatest course designer ever and his favourite of the current era, is not without irony. Mackenzie is widely credited as the literal and intellectual developer of a litany of superb courses in Daley's native Australia, while Doak is currently involved in a number of Australian projects which can only further enhance what Daley calls, "A nation where its top courses showcase the ideal playing conditions – firm, fast-running, and wind-affected.” The impact of Mackenzie upon Australian golf cannot be understated. During his 1926 visit to Australia, Mackenzie designed or advised upon nineteen courses, gifting the former penal colony with a legacy he would leave on no other continent. Says Daley “much credit should be accorded to The Royal Melbourne Golf Club, as Mackenzie’s host club, for having the foresight to sub-contract his services to other Australian clubs. This planning alone, virtually underwrote his expenses. Notwithstanding, Mackenzie’s greatest gift to the game in Australia was the relationship he forged with Royal Melbourne’s superintendent, Mick Morcom. It was Morcom who Mackenzie felt best interpreted his plans, and who had the skill and dexterity to build the most magnificent bunkers imaginable. Incorrectly, Mackenzie is credited with the creation of these landforms, when clearly he never had the time to see them come to fruition. Upon retirement at RMGC, Morcom passed the baton to Claude Crockford, and between them, they held stewardship of the grounds at Royal Melbourne for seventy years. Mackenzie’s whirlwind tour of Australia, his association with Morcom, and Morcom’s training of Crockford are fortuitously and inexorable linked to Australia’s position in world golf.”

It is upon this foundation that Doak will add three courses, two in the Melbourne environs and one a parcel of land near Bridport, Tasmania that particularly excites Daley. Of the latter, Daley feels “once all the red tape has been cleared, the links development could materialize to be of world significance, given the quality of the terrain, frequency of sea-aspect, and preliminary design plans.” But for the meantime it is Melbourne, as it long has been, which, in Daley's view drives Australia as a golfing Mecca. "It has everything: high quality courses, of which several are capable of hosting National Opens; cheap membership opportunities; affordable public access courses; all year round accessibility; with many courses built upon sandy subsoil.” Daley feels his beloved sand belt is unprecedented in world golf. "As a golfing destination, the Melbourne sand belt can easily be placed alongside Long Island, New York, Fife, the London-Surrey-Berkshire heathland belt, the brilliant links in north-west England, the stretch east of Edinburgh, and the best the Carolina’s has to offer. There is a good number of world top-100 courses within two or three hours of London or New York, but the fact that the sand belt courses are contained within one city makes Melbourne the supreme golfing destination.”    

Purchasing Information

Links Golf: The Inside Story (2000) 
Published by Pelican Publishing, Gretna, Louisiana, USA 
Contact: sales@pelicanpub.com 
First published by Full Swing Golf Publishing 
Note: For the leather-bound limited edition (100 copies only - 40 left) 
Contact: Paul Daley fswing@bigpond.net.au

The Sandbelt: Melbourne's Golfing Heaven (2001) 
Published by Plus Four Publishing, Melbourne, Australia 
Contact Paul Daley fswing@bigpond.net.au 
Note: Regular and leather-bound limited edition copies available: The Mackenzie edition (100 copies - 35 left)

Golf Architecture: A Worldwide Perspective - vol one (2002) 
Published by Pelican Publishing, Gretna, Louisiana, USA 
Contact: sales@pelicanpub.com 
Also published by Full Swing Golf Publishing

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